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Showing posts from February, 2015

Worldwide Groove Corporation's Standard Chill Brings A Spotlight Onto An Eclectic Musical History

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In Seattle I worked for a snowboard company, and my coworker would always play electronic music. He was a dj and he was working on all sorts of different tracks, remixes, and ideas for beats while working on tech there in our small offices. Back then he introduced me to a lot of electronic music, and a love for the genre started to blossom. Fast forward to today, and I hear a lot of music on a regular basis, and the one genre that always has a way of introducing me to new melody, musical notation, and creativity is electronic. Suffice to say Worldwide Groove Corporation's release of “Standard Chill” does an absolute grand thing to pull my heart strings and those of anyone that likes electronic, digital, and ambient music. This record brings together tracks from a variety of musical genres but with an electronic feel, and it’s every bit iconic. Every track has something new to offer, and it’s not all digital, it’s got some amazing elements of jazz, rock, and more. The vocals fea

Garden On A Trampoline Breaks The Indie Rock Moniker With Allodynia

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It’s not fair for anyone to just call this band by a one genre name, it’s truly not just one sided. Garden On A Trampoline finds a way to shove the emotion found on Deep Elm mix in a little Jade Tree magic, and shove over Smoking Popes for a shot at the top of alternative rock’s indie crown. Ok, maybe that’s a bit much, but what can I say, the band has really got me tapping my toes to their infectious sound. For whatever reason I decided to listen to “keeping me inside” first, and was immediately brought back to my bedroom in Culver City circa 1999. Why is that important? Because that’s when I dropped $300 on music from the aforementioned record labels, and caught wind of all types of underground music, some of which reminds me of what this band has done with this record. Going back to the start, “Allodynia” starts with what very well may be my favorite instrumental. The first 40 seconds alone is enough to create an ethereal vision for you, as the melting of emotions comes through.

Bottoms Goodbye Stuns With A Fascinating Release

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After writing 17,000 words today, I wasn’t prepared to review a record, then “die:rot” hit the speakers, and my mood shifted. Bottoms latest release is a mix of electronic music, and pure exuberance. The opening track alone had me awake and alert, and into something quite new. The mix is solid, throwing together sound design that is definitely on par with some of the best electronic music I heard last year. However, where others seem to just throw in some random beats and underline them with signature time, Bottoms changes the formula. Within the first track alone you get several changes in terms of sound, design, and noise. The elements put together are layered, and flow to tell you a story that is quite impactful overall. If the first track doesn’t grab you up front, then the second and third tracks will change your mind. “Boring” and “Gasoline” take away the first track and create lavish new elements, while distributing the tropes of electronic music you’d come to expect. It’s d